Born in Cusco, Peru in 1976. Lives and works in Brooklyn, NY and Lima, Peru

Ishmael Randall Weeks graduated from Bard College in 2000 and attended Skowhegan School of Painting and Sculpture in 2007. His work has been exhibited in various galleries and museums both in Peru and internationally, including Middlesbrough Institute of Modern of Art, England, United Kingdom; MoMA P.S.1, New York; the Museum of Contemporary Art, Lima, Peru; Spanish Culture Center of Buenos Aires (CCBBA), Buenos Aires, Argentina; The Drawing Center, New York, United States; Museum of Art of Lima (MALI), Lima, Peru; Macro Museum | Museo d’Arte Contemporanea di Roma, Rome, Italy; National Museum, Lima, Peru; The Museum of Arts and Design, New York, United States; Museum of the Bank of the Republic, Bogotá, Colombia; The Fondazione Cassa di Risparmio di Modena, Bologna, Italy; The Drawing Room, London, United Kingdom; Museum of Fine Arts, Mexico City, Mexico; the Bronx Museum, New York, United States; and Museum of Fine Arts, Boston, United States. His work has also been included in the Havana Biennial, the IX and the XIV Bienials de Cuenca, the 6th edition of (S) Files Biennial in El Museo del Barrio, New York and 2010 Greater New York and MomaP.S.1, amongst others.

He has received numerous residences grants and awards from various institutions, including the Rockefeller Foundation, the MACRO Museo d’Arte Contemporanea, Rome, Italy; the Foundation for Contemporary Arts, New York; NYFA, New York; Art Matters, New York; Kiosko, Santa Cruz, Bolivia; and La Curtiduria art center in Oaxaca, Mexico.

Education 

2007

2000

Skowhegan School of Painting and Sculpture, Skowhegan, ME, USA

Bachelor of Arts, Bard College, Annandale-on-Hudson, NY, USA

2019

Materia Común (collaborative project with Ximena Garrido-Lecca), Museo de Arte contemporaneo, Lima, Peru

Frieze Focus solo project London, Contemporary Art Fair, London,UK

Cuña, Arróniz Arte Contemporaneo, CDM, Mexico
Formalismos Andinos, Revolver Galeria, Lima, Peru

2017

Extractions, Federica Schiavo Gallery, Milan, Italy
Annotations, Striations and Souvenirs, Van Doren Waxter, New York, NY

Techo Bomba, Espacio Bloc, Satiago de Chile
MALI in situ Tribuna, Museo de Arte de Lima, Perú

2016

Desierto, Ignacio Liprandi Arte Contemporáneo, Buenos Aires, Argentina

Constructive Resistance, Steve Turner Gallery, Los Angeles, California, USA
Cuts, Burns & Punctures, Meier Ramirez, Monumental Callao, Peru

2015

Todo Cíclico, Revolver Monumental, Callao, Peru
Columnas, PArC (solo project curated by Emiliano Valdez), Lima, Peru

Art Positions, Art Basel Miami Beach, (solo project), USA

2014

Soñar Para Mañana, Revolver Gallery, Lima, Peru

Escombros, Arróniz Arte Contemporáneo, Mexico City, Mexico

2013

Cuts, Burns, Punctures, Drawing Center, New York, NY, USA             

Quion, Eleven Rivington Gallery, New York, NY, USA

Ceniza, (solo project) PArC, Lima, Peru

2012

Parquette, MACRO Museo d’Arte Contemporanea, Rome, Italy

Museo del Relave, Proyecto Afuera, Cerro de Pasco, Peru

2010

Maquette For Landscape, Federica Schiavo Gallery, Rome, Italy
Un Muro deTochos, Arróniz Arte Contemporáneo, Mexico City, Mexico

Aun sin Título II, La Ex-Culpable, Lima, Peru
Aun sin Título I, Revolver Gallery, Lima, Peru

2009

Ishmael Randall Weeks, Eleven Rivington Gallery, New York, NY, USA

Trofeo Zona Maco Sur, Mexico DF (curated by Adriano Pedrosa)

2008

Experimentos, Camuflajes y Bunkers, Galeria Kiosko, Santa Cruz, Bolivia

Refugio, Galería Lucia de La Puente, Lima, Peru

2006

Estructuras, Simulacros, Galería German Kruger, ICPNA, Peru 

2004

Rocoq, rocoq, pultín, Match Art Space, Brooklyn, NY, USA 

Terra Funga, Centro Cultural Scotiabank, Cusco, Peru

2000

Essentially Linear, UBS Bard College, Annandale-on-Hudson, NY, USA

2019

Revisión técnica (Curated by Meier Ramirez and Tuetano) Lima, Peru
Pari’s, Revolver Galeria, Lima, Peru

Evidencias Intangibles. New Souvenirs of Memoria. Qoricancha, Cusco, Peru
ARCO Peru Guest Country (curated by Sharon Lerner), Madrid, Spain

En orden de aparición: arte peruano y latinoamericano de la colección Hochschild (Curated by Luis Pérez-Oramas) Real Academia de Bellas Artes, San Fernando, Spain
LAB LAMARCA, Exposicion dedicada a Peru, Madrid, Spain
Lengua Bárbara/Lengua Madre (Curated by Ximena Garrido Lecca and José Vera Matos), Galería Casado Santapau

SinCrónicas, Horizontes del Arte Contemporáneo Peruano desde el Coleccionismo (Curated by Max Hernández-Calvo), El Instante Fundación Madrid, Spain

Change of Matter, LAMB Arts, London, UK

Art Lima, Revolver Galeria, Lima, Peru

2018

Estructuras Vivientes, XIV Bienal de Cuenca, Ecuador (Curated By Jesus Fuenmayor)

Extraction, Galeria Nosco, Marseille, France

Change of Matter, LAMB Arts, London, UK
A cosa serve l’utopia, Galleria Civica, Modena, Italy
HAWAPI: Triángulo Terrestre, Centro Nacional de Arte Contemporáneo Cerrillos, Santiago de Chile

Estados en Crisis. Ejerciendo Ciudadanía desde el Arte, Contemporary Art Museum MAC, Lima, Peru

2011

The Infinite Reduced to 2968, Washington Project for the Arts, Washington, DC
Contain, Maintain, Sustain: Exploring the Influence of Sustainability on Contemporary Art, Artisphere, Arlington, VA, USA (curated by Welmoed Laanstra, Sara Reisman, Ernesto Santalla)
Voglio Soltanto Essere Amato, Maga Museum of Art, Gallarte, Italy
Anonymous Presence, Y Gallery, New York, NY, USA (curated by Yoab Vera)
Fronteras en Mutación Of Bridges and Borders (Capítulo III), CCEBA Centro Cultural de España in Buenos Aires, Argentina (curated by Sigismond De Vajay)

Bruma, 20 Hoxton Square Gallery, London, UK (presented by Revolver Gallery, Lima, Peru)

El Museo’s Bienal:The (S) Files 2011, sixth edition, El Museo del Barrio, New York, NY, USA (Curated by Elvis Fuentes, Rocío Aranda-Alvarado, Trinidad Fombella, Juanita Bermúdez)

Heterogénea, Centro Centro Cultural Juan Parra Del Riego, Lima, Peru

Tracing the Unseen Border, La MaMa La Galeria, New York, NY, USA (curated by Ian Cofre and Omar Lopez-Chahoud)

Objects of Devotion and Desire: Medieval Relic to Contemporary Art, The Bertha and Karl Leubsdorf Art Gallery 2011 at Hunter College, New York, NY, USA (curated by Cynthia Hahn)
Carousel Microcinema: Glossolalia 5.0, The Kitchen, New York, NY, USA (film screening curated by Cauleen Smith)

2017

Realismo, C.C. Ministry of Culture (Curated by Claire Jauregui), Lima, Peru
HAWAPI: Triángulo Terrestre, Sala Juan Saavedra, Valparaíso, Chile (Bienal Sur)
HAWAPI: Triángulo Terrestre, Centro Cultural de San Marcos, Lima Peru (Bienal Sur)
Proyectos LA, Curated by Claudia Segura and Luiza Teixeira, Los Angeles, California
Thestructure, Revolver Gallery Buenos Aires, Argentina
Revolver Lim, Revolver Gallery Lima Peru
Todos los Ojos en Bolivia. Diez años de residencias Kiosko Centro Simón I. Patiño Cochabamba Santa Cruz, Bolivia

Miradas sobre el Coleccionismo, Fundación Osde, Argentina

(Curated byTomás Bondone)
Desplazamientos: Identidad e Interculturalidad, C.C. Universidad del Pacífico, Lima, Peru (Curated by Luisa Fernanda Lindo)
Próxima Parada: Artistas Peruanos en la Colección Hochschild, Sala Alcalá 31, Madrid, Spain
Paisaje Infinito, Revolver Gallery Buenos Aires, Argentina

2016

La Ciudad Está Allá Afuera, C.C.U Tlatelolco, Tlatelolco, Mexico
Autopia: Roadtrips from the Cold War to the Present, Bakehouse Art Company (BAC), Miami, FL, USA (Curated by Elvis Fuentes)
Focus: Latin America, Art Toronto, Toronto, Canada
Vacío Museal, Medio Siglo de Museotoías Peruanas (1966 - 2016), Contemporary Art Museum MAC, Lima, Peru (Curated by Gustavo Buntinx)
Danger. Expansión y Corte, Hochschild Collection, UTEC – University of Technology and Engineering, Lima, Peru (Curated by Jorge Villacorta)

Ejercicios para un Nuevo Mundo IV, SOLO PROJECT with Elena Damiani in U-TURN Project Room, ArteBa, Buenos Aires

Lo Real Absoluto, Revolver Gallery, Lima, Peru, in collaboration with Jorge Villacorta

2015

Metaforms, (Curator: Nicholas Baume), Art Public, Art Basel, Bass Museum, Miami
El Salon De Arte Contemporáneo, Palacete Sousa, Barranco, Lima, Peru
De La Huaca al Boom, (Curator: Patricia Ciriani) Centro Cultural Britanico, Lima, Peru
Paradise Syndrome, Peana Projects, New York
New Ways of Seeing, Dorsky Gallery, Long Island City, NY, USA
Desert Nursery, Domingo, Lima, Peru
Alterations Build, Blended, Processed, Florida Atlantic University Art Gallery, Boca Raton, FL, USA

2014

Hawapi, Museum of Contemporary Art, Lima, Peru
Permission to be global/Prácticas Globales, The Ella Fontanals Cisneros Collection, Museum of Fine Arts, Boston, MA, USA
Beyond the Supersquare, Bronx Museum of the Arts, Bronx, NY, USA

2013

Panorámica, Museo Palacio de Bellas Artes, Mexico City, Mexico
Rudimentum, Christinger De Mayo Gallery, Zurich, Switzerland
Permission to be global/Prácticas Globales, The Ella Fontanals Cisneros Collection, CIFO art space, Miami, FL, USA
En Obras Galeria Nuble, Santander, España (curated by Iciar Sagarminaga)
Arte Al Paso, Colección Contemporánea del Museo de Arte de Lima Museo Banco de la Republica, Bogota, Colombia How I Wrote Elastic Man, Invisible Exports Gallery, New York, USA
PRIMERA DÉCADA, Artes visuales del siglo XXI en Lima, Galeria Herman Kruger Espantoso, ICPNA, Lima, Peru (Curated by Manuel Munive)

2010

Planet of Slums, Third Screening, NYC, NY, USA (curated by Omar Lopez-Chahoud and LaToya Ruby Frazier)

Greater New York, MoMA PS1, New York, NY, USA (curated by Klaus Biesenbach, Connie Butler, Neville Wakfiled)
Formes y Desformes, Galleria Zak, Siena, Italy (curated by Antonio Arévalo)

Diálogos en Colección de Arte Contemporáneo del MALI, Lima Art Museum, Peru (curated by Tatiana Cuevas)

Altered Appropriations: Making Strange, Guggenheim Gallery at Chapman University, Orange, CA, USA (Curated by Jody Zellen)

Painting and Sculpture, Lehmann Maupin Gallery, New York, NY, USA (FCA Benefit)
smArt, Miami Dade College, Miami, FL, USA

El Comienzo del Fin, Patricia Ready Galeria, Santiago, Chile (curated by Revolver Gallery, Lima)

Lush Life, Collette Blanchard Gallery, New York, NY, USA (curated by Omar Lopez-Chahoud, Franklin Evans)
Des-Habitable, Centro Cultural de España, Lima (curated by Dermis Leon)
Guatavita, Eleven Rivington Gallery, New York, NY, USA
Does the Angle Between Two Walls Have a Happy Ending?, Federica Schiavo Gallery, Rome, Italy (curated by Ishmael Randall Weeks)

2009

Slash: Paper Under the Knife, Museum of Arts and Design, New York, NY, USA (curated by David McFarden) Des-Habitable, OTR espacio de arte, Madrid, Spain (curated by Dermis Leon)
Colectivo 2009, Arróniz Arte Contemporáneo, Mexico City, Mexico
Zegache, Museo Casa Lamm, Mexico City, Mexico

Party at Chris’s House, Janet Kurnatowski Gallery, Brooklyn, NY, USA (curated by Phong Bui) Proyectos, Revolver Gallery, Lima, Peru
Crisis in Progress, ICPNA San Miguel, Lima, Peru (curated by Dorota Biczel, Emilio Tarazona) 10th Havana Bienal, Havana, Cuba (National selection)

Postales De Lima, Sala Wiese, Lima, Peru (curated by Tatiana Cuevas) Trabajo de Espacio, Arróniz Arte Contemporáneo,Mexico City,Mexico Desenhos (Drawings): A-Z, Museu Da Cidade, Lisbon, Portugal
Pulp Fiction, Eleven Rivington, New York, NY, USA

2008

Visions of Contemporary art in Peru, Galería Lucia de La Puente, Lima, Peru

MALI Contemporary, Acquisitions and Donations, Sala Wiese, Lima, Peru
Al Natural, Dibujo Nuevo, Sala Raul Porras Barrenchea, Lima, Peru
La Construcción del Lugar Comun, Contemporary Art Museum, Lima, Peru

2007

10o 00 S. 76o 00 W, Galería Leme, Sao Paulo, Brazil
Popular-Pop, Museum of Art (MALI), Lima, Peru (curated by Rodrigo Quijano)
Isla, Open Space, ARTE BA, Buenos Aires, Argentina (Lucia de La Puente Galeria)
Nómade, IX Bienal de Cuenca, Ecuador (National Selection)
Legado Para el Futuro: The Permanent Collection 2005-2007, Museum of Art (MALI), Lima, Peru

2006

Arte y Urbe, The National Museum, Lima, Peru

(curated by Jorge Villacorta)

EO IPSO, Match Art Space, Brooklyn, NY, USA

Cambios Estructurales I, San Marcos Museum, Lima, Peru (curated by Ishmael Randall Weeks)

2012

The Camino Real Arcades, AMIL space, Lima, Peru (curated by Pablo León de la Barra)
Bajo El Sol de La Muerte, Galeria Espacio Minimo, Madrid, Spain
Dalla collezione MACRO, Museo di Arte Contemporanea Roma, Testaccio, Rome, Italy
Latinoamérica, Arte entre Identidad y Máscara, 11th Art Stays Festival, Ptuj, Slovenia
(Curated by Antonio Arévalo)
Paved Paradise, DC Moore Gallery, New York, NY, USA
Decimo Parallelo Nord, Fotografia Contemporanea da India e Sud America, Fondazione Fotografia, Italy

2005

Viceversa, Match Art Space, Brooklyn, NY, USA

Vitaminas, Impromptu Gallery, Trujillo, Peru (curated by Armando Williams)

Noche de Arte, National Museum, Lima, Peru

2004

Frei Raüme, Frei Still e.v., Art Space, Berlin, Germany

2003

On Wheels, Vermont Studio Art Center, Johnson, VT, USA

2000

Constellation, Fisher Arts Center, New York, NY, USA

Awards and Residencies

2019

Concurso de Proyectos de producción de artes visuales 2019, Lima, Peru

2018

Honorary Mention, XIV Bienal de Cuenca, Ecuador

2017

Rockefeller Foundation Fellow at The Bellagio Center, Italy

2016

Don Julio Award at Mexico Gallery Weekend, Mexico City, Mexico

2015

Fundación Mar Adentro, Chile

2012

Full Fellowship, Macro Factory, MACRO Museo d’Arte Contemporanea, Rome, Italy

2011

Grant Award, New York State Council on the Arts (NYSCA)’s Artist Fellowship Program,The New York

Foundation for the Arts (NYFA), New York, NY, USA

2010

Full Fellowship, Art Omi International Artists Residency, Omi International Arts Center, Ghent, NY, USA

2009

Award, Marie Walsh Sharpe Foundation ‘Space Program’, New York, NY, USA
Fellowship, La Curtiduria Residency, Oaxaca, Mexico

2008

Award, Art Matters Foundation, New York, NY, USA
Full Fellowship, Kiosko Art Residency, Santa Cruz, Bolivia
Full Fellowship, Sculpture Space Residency, NY, USA

2007

Honorary Mention, IX Bienal de Cuenca, Ecuador
Full Fellowship, Skowhegan School of Painting and Sculpture, Newport, ME, USA

2005

Award, Foundation for Contemporary Arts, New York, NY, USA

2003

Full Fellowship, Vermont Studio Art Center, Johnson, VT, USA

2000

Bard College Project Grant 2000, Annandale-on-Hudson, NY, USA

Talks and Presentations

2016

Collectos Venue, Mexico Gallery Weekend, Ciudad de Mexico, Mexico
Lo Real Absoluto (Jorge Villacorta, Marlena Kudlicka, José Carlos Martinat & Andrés Marroquín), Galeria Revolver, Lima, Peru
7mo Encuentro Abierto, Bienal del Sur, (Alexander Apóstol, Iván Argote, Ana Gallardo, Jeanine Meerapfel, Diana Wechsler, Aníbal Jozami), Buenos Aires, Argentina

2015

Public Art “Metaforms”, Art Basel Miami Salon (Hank Willis Thomas Xavier Cha, Moderated by Nicholas Baume, Miami, FL, USA

Segundo Encuentro de Artes Visuales de la Pontificia Universidad Católica del Peru (Ishmael Randall Weeks, Jose Urteaga, Maxim Holland), Lima, Peru

2014

2013

2012

2011

2010

2009

2007

2006

Public Reading/Slide Talk, Vermont Studio Center, Johnson, VT, USA

Cuts, Burns, Punctures, Drawing Center, “Artists talk, with Ishmael Randall Weeks”, New York, New York, USA

MACRO Museo d’Arte Contemporanea, Rome, Italy

TRAIN Traveling lines Lines: Drawing as itinerant practice (Brigida Baltar, Tony Cruz, Andre Komatsu,

Mateo Lopez, Gilda Mantilla & Raimond Chaves, Nicolas Paris), Chelsea College of Art and Design, Chelsea, London, England

Sharpe-Walentas Studio Program, Brooklyn, NY, USA

Fondazione Cassa d Riparmio di Moderna, Roma, Italy

Diálogos sobre Arte Contemporáneo (Ishmael Randall Weeks y Luis Manuel Amador), Museo de Arte

Contemporáneo de Oaxaca y La Curtiduría, Centro Histórico Oaxaca, Mexico

La Culpable, Lima, Peru

Cambios Estructurales, MASM Museo de Arte de San Marcos, Lima, Peru

Selected Bibliography

Andrea Hinteregger de Mayo , “Matices del arte en America Latina /Nuances of Latin American art” 2020

“77 Artistas Peruanos Contemporáneos” Editor Museo Mario Testino - MATE, Lima, Peru, 2017

Ishmael Randall Weeks, “Cuts, Burns & Punctures”, Text by Rodrigo Quijano, Meier-Ramirez Independer Publications, 2016

Ishmael Randall Weeks, “USHNU / Para Todos, Para Nadie “, Hawapi 2014 Pariacaca. Editor Maxim Holland.

Iciar Sagarminaga, “En Obras” , Nuble Gallery, 2013

Filippo Maggia, “Fotografia Contemporanea da India e dal Sud America. Decimo Parallelo Nord”, Skira, Milano, 2012

Tanya Barson, Isobel Whitelegg, Pablo Leon de la Barra, Moacir Dos Anjos, “The Peripatetic School: Itinerant Drawing from Latin America”, Ridinghouse, London 2011, pp. 23 and 100-105

Sigismond deVajay & André Baldinger, “Of Bridges and Borders” , JRPRingier, Toit Du Monde & KBB, EBS, Editoriale Bortolazzi Stei, pg 253-67, 2011

Miguel López, “El Placer es más Importante que la Victoria”, Tasneem Gallery, exhibition catalogue, Barcelona 2011

Jota Castro, Christian Viveros-Faune, “Dublin Contemporary 2011 - Guide Book”, exhibition catalogue, Dublin 2011

“El Museo’s Bienal:The (S) Files 2011”, exhibition catalogue, New York 2011

Inheritance Projects, “Community Without Propinquity”, Milton Keynes, 2011

Cynthia Hahn, Amy Levin, “Objects of Devotion and Desire”, Hunter College Press, 2011, Pg 16, 66-67

Christopher Von Ginhoven, “AVailed Intimacy”, catalogue for“Bruma”at 20 Hoxton Square Gallery, London. 20 Hoxton Square and Revolver Gallery, 2011

Klaus Biesenbach, Connie Butler, Neville Wakefield, “Greater New York 2010”, MoMa PS1, 2010, pg. 112-13 & 162-63

Marisa Mujica Pinilla, “Perú Escultura de Ayer y Hoy”, Fondo Editorial USMP, 2010, pg. 303-313

Sigismond de Vajay, André Baldinger, “Of Bridges and Borders”, JRP-Ringier, Toit Du Monde & KBB, EBS, Editoriale Bortolazzi Stei srl, 2009, pp. 253-67

David McFadden, “Slash: Paper Under the Knife”, Museum of Ar ts and Design & 5 Continents Editions, 2009, pp. 184-87

Lauren Cornell, Massimiliano Gioni, Laura Hoptman, “Younger Than Jesus: Artist Directory”, The New Museum and Phaidon Press, 2009, p. 507

X Bienal de la Habana, “Integración y Resistencia en la era Global”, Centro de Arte Contemporaneo Wilfredo Lam, La Havana, Cuba, 2009, pp. 454-55

Armando Williams, “Visiones del Arte Contemporáneo en el Peru”, Galeria Lucia de la Puente, Lima, Peru, 2008

Miguel Zegarra - Jorge Villacorta, “La Construcción del Lugar Comun”, Museo De Arte Contemporaneo, Lima, Peru, 2008

IX Bienal Internacional de Cuenca, “Espacios, Tiempos Identitarios”, Bienal de Cuenca, Ecuador, 2007, pp. 64-67

Rodrigo Quijano, “Llámenme Ishmael: Notas sobre Balances y Tensiones en la Obra de Randall Weeks”, Catalogue for Estructuras, Simulacros, ICPNA, Lima, Peru, 2006

LuisAlvarado, “Post-Illusiones. NuevasVisiones, Arte Crítico en Lima (1980-2006)”, Fundación Wiese, 2006, p.113

Selected Articles

Jan Castro, “Review: Annotations, Stuations and Souvenirs”, Sculpture Magazine Vol. 37, No 4, May 2018

William Corwinm, “Ishmael Randall Weeks: Annotations, Striations and Souvenirs”, The Brooklyn Rail, Nov 2017

Celina Chatruc, “Consagrada como arte, la fotografía muestra en BA Photo todas sus variantes” La Nación, Set 2017

Anahí Cazas “Kiosko muestra los frutos de su aporte al arte contemporáneo”, Página Siete, Set 2017

Max Hernández Calvo, “Desplazamientos: identidad e interculturalidad”, El Comercio, Jul 2017

Luis E. Lama, “Dialécticas”, Caretas Magazine, May 2017

Vania Dale, “Alegorías de un país cercano: Ishmael Randall Weeks inaugura ‘Tribuna’”, Cosas Magazine, April 2017

Gloria Ziegler, “Constructo Social”, Must Magazine, April 2017

Enrique Planas, “Así se montó la chacana de 15 toneladas que expone el MALI”, El Comercio, March 2017

Max Hernández Calvo, “Intervenciones de la realidad”, El Comercio, May 2016

Eugenia Lim, “Hawapi: Outside in the Anthropocene” Assemble Papers, Nov 2015

Andrés Hare, “Las Paradojas de La Vida en La Tierra” , Harper’s Bazaar Español, May 2015

Luís E. Lama, “Espacios Interiores”, Caretas Magazine, April 2015

Celina Chatruc, “Cruzar Las Fronteras”, La Nacion, Argentina, 10 July 2011

Luca Bradamante, “What’s going on in... Rome? A er MAXXI”, Art.es International Contemporary Art, Issue n. 41, 2011

Valentina Bernabei, “Ishmael Randall Weeks”, Flash Art Italia, December, 2010

Eloisa Saldari, “Da Federica Schiavo Le Transformazioni Orogenetiche di Randall Weeks”, ARTEeCRITICA 65, 2010

Clara Giannini, “Maquette for Landascape by Ishmael Randall Weeks”, Issues and Trends in Contemporary Art Rome, Thursday 25 November 2010

Marianna Agliottone, “Ishmael Randall Weeks. Dice di sé...”, Exibart on paper, n. 68, Sep-Oct 2010, p. 37

Davide del Giudice, “(R)EVOLUTIONary PROTOCOLS” Cityvision, May 2010

Pia Catton, “Greater Visions of Contemporary Art”, Wall Street Journal, May 20th, 2010

Christian Viveros-Fauné, “Greater New York 2010 is worse than the Biennial”, The Village Voice, June 2, 2010

Carlos Paul, “Artista Utiliza Arquitectura y Urbanismo para Reflejar Los Movimientos Sociales de AL”, La Jornada, Mexico, May 7th, 2010

Jane Harris, “Slash: Paper under the Knife”, Time Out, New York, USA January, 2010

Aridana Ramonetti, “Reinventar y alterar: Una mirada a la obra de Randall Weeks”, Glamour Magazine Mexico, December, 2009

Thomas Micchelli, “Ishmael Randall Weeks”, The Brooklyn Rail, May, 2009

JonathanTD Neil, “Next Greats”, Art Review Magazine, March, 2009

Adolfo Montejo Navas, “Entre la Integración y la Resistencia”, LAPIZ magazine, May, 2009, pp 67-76

Blanca González Rosas, “Trabajo de Espacio”, Revista Proceso, Mexico DF, 2009

BBC, “5 Propuestas de Arte Latinoamericano Que Destacan en Art Basel Miami”, BBC Mundo, December 2014

Stacey D.Clarkson, “Portfolio Ishmael RandallWeeks: Martyrdoms of light”, Harpers Magazine, April 2013

Alex Bacon, “In Conversation: Ishmael Randall Weeks with Alex Bacon”, Brooklyn Rail, February 2013

Blake Gopnik, “Ishmael Weeks Disturbs History”, The Daily Beast, Newsweek, January 2013

Andrea Baccin, “Quoin. Ishmael Randall Weeks”, Cura Magazine, Rome, January 2013

Artishock, “Ishmael Randall Weeks: Cuts, Burns, Punctures”, Artishock revista de arte, Santiago, Chile, February, 2013

Miguel A. Lopez, “Lima Remembers”, Art In America, September 2012, pp. 124-129

Maria Azzurra Rossi, “BHPRW”, City Vision #6, Jun 2012

Elisa Govi, “L’artista abita qui”, Exibart, n°78, April - May, 2012, pp.22-23

Francesca Giuliani, “Residenze d’artista”, La Repubblica-Roma, 10 April 2012

Geraldine Schwarz, “L’opera? Al Macro è un work in progress”, Artribune, 20 April 2012

Jan Garden Castro, “Peru’s Contemporary Sculptors: Cra ing New Social and Cultural Identities”, in “South American Sculpture”, Sculpture Magazine, Vol. 31, March 2012

Leigh Anne Miller, “A Continental Biennial”, Art in America Magazine, news & opinions, December 2011

“Pulp Fiction”, New Yorker Magazine, New York, February 4, 2009

Gerson Rivero, “Tres Residencias”, El Deber, Santa Cruz, Bolivia, August, 2008

Diego Otero, “Pero se Expone”, El Comercio, Lima, Peru, January, 2008

Diego Otero, “Espectáculos y amenazas”, El Domincal, Lima, Peru, January 2008

Jorge Manuel Noceda, “Cuenca, una bienal a orillas del tomebamba”, ART NEXUS Magazine, #67, 2007

Victoria Verlichak, “IX Cuenca Bienal”, ARTE AL DIA Magazine, pg.80, # 119, May-June, 2007

Élida Román, “Experiencia imprescindible”, El Comercio, Lima, Peru, January, 2006

Pedro Escribano, “IR y sus metáforas del mundo”, La Republica, Lima, Peru, 2006

ClaudiaVelasco, “Restos del Futuro”, El Comercio, Lima, Peru, January, 2006

Jack Martínez, “Dilema del Progreso”, La Primera, Lima, Peru, January, 2006

Jorge Bernuy, “Estructuras, simulacros”, Expreso, Lima, Peru, January, 2006

Caretas Magazine, “Rastros del Futuro”, Lima Peru, January, 2006

Casas, “Tensiones y Balances”, Revista Casas, Lima, Peru, January, 2006

Jamie Dalglish, “Mad Dream Chamber”, NYARTS magazine, New York, March, 2005

Caretas Magazine, “Canales de Weeks”, Lima, Peru, December, 2004

Vera Lauer, “Los Dibujos tóxicos”, La Republica, Lima, Peru, August, 2004