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Born in Cusco, Peru in 1976. Lives and works in Brooklyn, NY and Lima, Peru
Ishmael Randall Weeks graduated from Bard College in 2000 and attended Skowhegan School of Painting and Sculpture in 2007. His work has been exhibited in various galleries and museums both in Peru and internationally, including Middlesbrough Institute of Modern of Art, England, United Kingdom; MoMA P.S.1, New York; the Museum of Contemporary Art, Lima, Peru; Spanish Culture Center of Buenos Aires (CCBBA), Buenos Aires, Argentina; The Drawing Center, New York, United States; Museum of Art of Lima (MALI), Lima, Peru; Macro Museum | Museo d’Arte Contemporanea di Roma, Rome, Italy; National Museum, Lima, Peru; The Museum of Arts and Design, New York, United States; Museum of the Bank of the Republic, Bogotá, Colombia; The Fondazione Cassa di Risparmio di Modena, Bologna, Italy; The Drawing Room, London, United Kingdom; Museum of Fine Arts, Mexico City, Mexico; the Bronx Museum, New York, United States; and Museum of Fine Arts, Boston, United States. His work has also been included in the Havana Biennial, the IX and the XIV Bienials de Cuenca, the 6th edition of (S) Files Biennial in El Museo del Barrio, New York and 2010 Greater New York and MomaP.S.1, amongst others.
He has received numerous residences grants and awards from various institutions, including the Rockefeller Foundation, the MACRO Museo d’Arte Contemporanea, Rome, Italy; the Foundation for Contemporary Arts, New York; NYFA, New York; Art Matters, New York; Kiosko, Santa Cruz, Bolivia; and La Curtiduria art center in Oaxaca, Mexico.
Education
2007
2000
Skowhegan School of Painting and Sculpture, Skowhegan, ME, USA
Bachelor of Arts, Bard College, Annandale-on-Hudson, NY, USA
Solo Exhibitions
2019
Materia Común (collaborative project with Ximena Garrido-Lecca), Museo de Arte contemporaneo, Lima, Peru
Frieze Focus solo project London, Contemporary Art Fair, London,UK
Cuña, Arróniz Arte Contemporaneo, CDM, Mexico
Formalismos Andinos, Revolver Galeria, Lima, Peru
2017
Extractions, Federica Schiavo Gallery, Milan, Italy
Annotations, Striations and Souvenirs, Van Doren Waxter, New York, NY
Techo Bomba, Espacio Bloc, Satiago de Chile
MALI in situ Tribuna, Museo de Arte de Lima, Perú
2016
Desierto, Ignacio Liprandi Arte Contemporáneo, Buenos Aires, Argentina
Constructive Resistance, Steve Turner Gallery, Los Angeles, California, USA
Cuts, Burns & Punctures, Meier Ramirez, Monumental Callao, Peru
2015
Todo Cíclico, Revolver Monumental, Callao, Peru
Columnas, PArC (solo project curated by Emiliano Valdez), Lima, Peru
Art Positions, Art Basel Miami Beach, (solo project), USA
2014
Soñar Para Mañana, Revolver Gallery, Lima, Peru
Escombros, Arróniz Arte Contemporáneo, Mexico City, Mexico
2013
Cuts, Burns, Punctures, Drawing Center, New York, NY, USA
Quion, Eleven Rivington Gallery, New York, NY, USA
Ceniza, (solo project) PArC, Lima, Peru
2012
Parquette, MACRO Museo d’Arte Contemporanea, Rome, Italy
Museo del Relave, Proyecto Afuera, Cerro de Pasco, Peru
2010
Maquette For Landscape, Federica Schiavo Gallery, Rome, Italy
Un Muro deTochos, Arróniz Arte Contemporáneo, Mexico City, Mexico
Aun sin Título II, La Ex-Culpable, Lima, Peru
Aun sin Título I, Revolver Gallery, Lima, Peru
2009
Ishmael Randall Weeks, Eleven Rivington Gallery, New York, NY, USA
Trofeo Zona Maco Sur, Mexico DF (curated by Adriano Pedrosa)
2008
Experimentos, Camuflajes y Bunkers, Galeria Kiosko, Santa Cruz, Bolivia
Refugio, Galería Lucia de La Puente, Lima, Peru
2006
Estructuras, Simulacros, Galería German Kruger, ICPNA, Peru
2004
Rocoq, rocoq, pultín, Match Art Space, Brooklyn, NY, USA
Terra Funga, Centro Cultural Scotiabank, Cusco, Peru
2000
Essentially Linear, UBS Bard College, Annandale-on-Hudson, NY, USA
Boundary Space, Lawrie Shabibi Gallery, Dubai, EAE
2021
Displaced Forms, Lawrie Shabibi Gallery, Cromwell Place, UK
Group Exhibitions
2020
Non-Space, Revolver Galeria, Lima, Peru
2019
Revisión técnica (Curated by Meier Ramirez and Tuetano) Lima, Peru
Pari’s, Revolver Galeria, Lima, Peru
Evidencias Intangibles. New Souvenirs of Memoria. Qoricancha, Cusco, Peru
ARCO Peru Guest Country (curated by Sharon Lerner), Madrid, Spain
En orden de aparición: arte peruano y latinoamericano de la colección Hochschild (Curated by Luis Pérez-Oramas) Real Academia de Bellas Artes, San Fernando, Spain
LAB LAMARCA, Exposicion dedicada a Peru, Madrid, Spain
Lengua Bárbara/Lengua Madre (Curated by Ximena Garrido Lecca and José Vera Matos), Galería Casado Santapau
SinCrónicas, Horizontes del Arte Contemporáneo Peruano desde el Coleccionismo (Curated by Max Hernández-Calvo), El Instante Fundación Madrid, Spain
Change of Matter, LAMB Arts, London, UK
Art Lima, Revolver Galeria, Lima, Peru
2018
Estructuras Vivientes, XIV Bienal de Cuenca, Ecuador (Curated By Jesus Fuenmayor)
Extraction, Galeria Nosco, Marseille, France
Change of Matter, LAMB Arts, London, UK
A cosa serve l’utopia, Galleria Civica, Modena, Italy
HAWAPI: Triángulo Terrestre, Centro Nacional de Arte Contemporáneo Cerrillos, Santiago de Chile
Estados en Crisis. Ejerciendo Ciudadanía desde el Arte, Contemporary Art Museum MAC, Lima, Peru
2011
The Infinite Reduced to 2968, Washington Project for the Arts, Washington, DC
Contain, Maintain, Sustain: Exploring the Influence of Sustainability on Contemporary Art, Artisphere, Arlington, VA, USA (curated by Welmoed Laanstra, Sara Reisman, Ernesto Santalla)
Voglio Soltanto Essere Amato, Maga Museum of Art, Gallarte, Italy
Anonymous Presence, Y Gallery, New York, NY, USA (curated by Yoab Vera)
Fronteras en Mutación Of Bridges and Borders (Capítulo III), CCEBA Centro Cultural de España in Buenos Aires, Argentina (curated by Sigismond De Vajay)
Bruma, 20 Hoxton Square Gallery, London, UK (presented by Revolver Gallery, Lima, Peru)
El Museo’s Bienal:The (S) Files 2011, sixth edition, El Museo del Barrio, New York, NY, USA (Curated by Elvis Fuentes, Rocío Aranda-Alvarado, Trinidad Fombella, Juanita Bermúdez)
Heterogénea, Centro Centro Cultural Juan Parra Del Riego, Lima, Peru
Tracing the Unseen Border, La MaMa La Galeria, New York, NY, USA (curated by Ian Cofre and Omar Lopez-Chahoud)
Objects of Devotion and Desire: Medieval Relic to Contemporary Art, The Bertha and Karl Leubsdorf Art Gallery 2011 at Hunter College, New York, NY, USA (curated by Cynthia Hahn)
Carousel Microcinema: Glossolalia 5.0, The Kitchen, New York, NY, USA (film screening curated by Cauleen Smith)
2017
Realismo, C.C. Ministry of Culture (Curated by Claire Jauregui), Lima, Peru
HAWAPI: Triángulo Terrestre, Sala Juan Saavedra, Valparaíso, Chile (Bienal Sur)
HAWAPI: Triángulo Terrestre, Centro Cultural de San Marcos, Lima Peru (Bienal Sur)
Proyectos LA, Curated by Claudia Segura and Luiza Teixeira, Los Angeles, California
Thestructure, Revolver Gallery Buenos Aires, Argentina
Revolver Lim, Revolver Gallery Lima Peru
Todos los Ojos en Bolivia. Diez años de residencias Kiosko Centro Simón I. Patiño Cochabamba Santa Cruz, Bolivia
Miradas sobre el Coleccionismo, Fundación Osde, Argentina
(Curated byTomás Bondone)
Desplazamientos: Identidad e Interculturalidad, C.C. Universidad del Pacífico, Lima, Peru (Curated by Luisa Fernanda Lindo)
Próxima Parada: Artistas Peruanos en la Colección Hochschild, Sala Alcalá 31, Madrid, Spain
Paisaje Infinito, Revolver Gallery Buenos Aires, Argentina
2016
La Ciudad Está Allá Afuera, C.C.U Tlatelolco, Tlatelolco, Mexico
Autopia: Roadtrips from the Cold War to the Present, Bakehouse Art Company (BAC), Miami, FL, USA (Curated by Elvis Fuentes)
Focus: Latin America, Art Toronto, Toronto, Canada
Vacío Museal, Medio Siglo de Museotoías Peruanas (1966 - 2016), Contemporary Art Museum MAC, Lima, Peru (Curated by Gustavo Buntinx)
Danger. Expansión y Corte, Hochschild Collection, UTEC – University of Technology and Engineering, Lima, Peru (Curated by Jorge Villacorta)
Ejercicios para un Nuevo Mundo IV, SOLO PROJECT with Elena Damiani in U-TURN Project Room, ArteBa, Buenos Aires
Lo Real Absoluto, Revolver Gallery, Lima, Peru, in collaboration with Jorge Villacorta
2015
Metaforms, (Curator: Nicholas Baume), Art Public, Art Basel, Bass Museum, Miami
El Salon De Arte Contemporáneo, Palacete Sousa, Barranco, Lima, Peru
De La Huaca al Boom, (Curator: Patricia Ciriani) Centro Cultural Britanico, Lima, Peru
Paradise Syndrome, Peana Projects, New York
New Ways of Seeing, Dorsky Gallery, Long Island City, NY, USA
Desert Nursery, Domingo, Lima, Peru
Alterations Build, Blended, Processed, Florida Atlantic University Art Gallery, Boca Raton, FL, USA
2014
Hawapi, Museum of Contemporary Art, Lima, Peru
Permission to be global/Prácticas Globales, The Ella Fontanals Cisneros Collection, Museum of Fine Arts, Boston, MA, USA
Beyond the Supersquare, Bronx Museum of the Arts, Bronx, NY, USA
2013
Panorámica, Museo Palacio de Bellas Artes, Mexico City, Mexico
Rudimentum, Christinger De Mayo Gallery, Zurich, Switzerland
Permission to be global/Prácticas Globales, The Ella Fontanals Cisneros Collection, CIFO art space, Miami, FL, USA
En Obras Galeria Nuble, Santander, España (curated by Iciar Sagarminaga)
Arte Al Paso, Colección Contemporánea del Museo de Arte de Lima Museo Banco de la Republica, Bogota, Colombia How I Wrote Elastic Man, Invisible Exports Gallery, New York, USA
PRIMERA DÉCADA, Artes visuales del siglo XXI en Lima, Galeria Herman Kruger Espantoso, ICPNA, Lima, Peru (Curated by Manuel Munive)
2010
Planet of Slums, Third Screening, NYC, NY, USA (curated by Omar Lopez-Chahoud and LaToya Ruby Frazier)
Greater New York, MoMA PS1, New York, NY, USA (curated by Klaus Biesenbach, Connie Butler, Neville Wakfiled)
Formes y Desformes, Galleria Zak, Siena, Italy (curated by Antonio Arévalo)
Diálogos en Colección de Arte Contemporáneo del MALI, Lima Art Museum, Peru (curated by Tatiana Cuevas)
Altered Appropriations: Making Strange, Guggenheim Gallery at Chapman University, Orange, CA, USA (Curated by Jody Zellen)
Painting and Sculpture, Lehmann Maupin Gallery, New York, NY, USA (FCA Benefit)
smArt, Miami Dade College, Miami, FL, USA
El Comienzo del Fin, Patricia Ready Galeria, Santiago, Chile (curated by Revolver Gallery, Lima)
Lush Life, Collette Blanchard Gallery, New York, NY, USA (curated by Omar Lopez-Chahoud, Franklin Evans)
Des-Habitable, Centro Cultural de España, Lima (curated by Dermis Leon)
Guatavita, Eleven Rivington Gallery, New York, NY, USA
Does the Angle Between Two Walls Have a Happy Ending?, Federica Schiavo Gallery, Rome, Italy (curated by Ishmael Randall Weeks)
2009
Slash: Paper Under the Knife, Museum of Arts and Design, New York, NY, USA (curated by David McFarden) Des-Habitable, OTR espacio de arte, Madrid, Spain (curated by Dermis Leon)
Colectivo 2009, Arróniz Arte Contemporáneo, Mexico City, Mexico
Zegache, Museo Casa Lamm, Mexico City, Mexico
Party at Chris’s House, Janet Kurnatowski Gallery, Brooklyn, NY, USA (curated by Phong Bui) Proyectos, Revolver Gallery, Lima, Peru
Crisis in Progress, ICPNA San Miguel, Lima, Peru (curated by Dorota Biczel, Emilio Tarazona) 10th Havana Bienal, Havana, Cuba (National selection)
Postales De Lima, Sala Wiese, Lima, Peru (curated by Tatiana Cuevas) Trabajo de Espacio, Arróniz Arte Contemporáneo,Mexico City,Mexico Desenhos (Drawings): A-Z, Museu Da Cidade, Lisbon, Portugal
Pulp Fiction, Eleven Rivington, New York, NY, USA
2008
Visions of Contemporary art in Peru, Galería Lucia de La Puente, Lima, Peru
MALI Contemporary, Acquisitions and Donations, Sala Wiese, Lima, Peru
Al Natural, Dibujo Nuevo, Sala Raul Porras Barrenchea, Lima, Peru
La Construcción del Lugar Comun, Contemporary Art Museum, Lima, Peru
2007
10o 00 S. 76o 00 W, Galería Leme, Sao Paulo, Brazil
Popular-Pop, Museum of Art (MALI), Lima, Peru (curated by Rodrigo Quijano)
Isla, Open Space, ARTE BA, Buenos Aires, Argentina (Lucia de La Puente Galeria)
Nómade, IX Bienal de Cuenca, Ecuador (National Selection)
Legado Para el Futuro: The Permanent Collection 2005-2007, Museum of Art (MALI), Lima, Peru
2006
Arte y Urbe, The National Museum, Lima, Peru
(curated by Jorge Villacorta)
EO IPSO, Match Art Space, Brooklyn, NY, USA
Cambios Estructurales I, San Marcos Museum, Lima, Peru (curated by Ishmael Randall Weeks)
2012
The Camino Real Arcades, AMIL space, Lima, Peru (curated by Pablo León de la Barra)
Bajo El Sol de La Muerte, Galeria Espacio Minimo, Madrid, Spain
Dalla collezione MACRO, Museo di Arte Contemporanea Roma, Testaccio, Rome, Italy
Latinoamérica, Arte entre Identidad y Máscara, 11th Art Stays Festival, Ptuj, Slovenia
(Curated by Antonio Arévalo)
Paved Paradise, DC Moore Gallery, New York, NY, USA
Decimo Parallelo Nord, Fotografia Contemporanea da India e Sud America, Fondazione Fotografia, Italy
2005
Viceversa, Match Art Space, Brooklyn, NY, USA
Vitaminas, Impromptu Gallery, Trujillo, Peru (curated by Armando Williams)
Noche de Arte, National Museum, Lima, Peru
2004
Frei Raüme, Frei Still e.v., Art Space, Berlin, Germany
2003
On Wheels, Vermont Studio Art Center, Johnson, VT, USA
2000
Constellation, Fisher Arts Center, New York, NY, USA
Awards and Residencies
2019
Concurso de Proyectos de producción de artes visuales 2019, Lima, Peru
2018
Honorary Mention, XIV Bienal de Cuenca, Ecuador
2017
Rockefeller Foundation Fellow at The Bellagio Center, Italy
2016
Don Julio Award at Mexico Gallery Weekend, Mexico City, Mexico
2015
Fundación Mar Adentro, Chile
2012
Full Fellowship, Macro Factory, MACRO Museo d’Arte Contemporanea, Rome, Italy
2011
Grant Award, New York State Council on the Arts (NYSCA)’s Artist Fellowship Program,The New York
Foundation for the Arts (NYFA), New York, NY, USA
2010
Full Fellowship, Art Omi International Artists Residency, Omi International Arts Center, Ghent, NY, USA
2009
Award, Marie Walsh Sharpe Foundation ‘Space Program’, New York, NY, USA
Fellowship, La Curtiduria Residency, Oaxaca, Mexico
2008
Award, Art Matters Foundation, New York, NY, USA
Full Fellowship, Kiosko Art Residency, Santa Cruz, Bolivia
Full Fellowship, Sculpture Space Residency, NY, USA
2007
Honorary Mention, IX Bienal de Cuenca, Ecuador
Full Fellowship, Skowhegan School of Painting and Sculpture, Newport, ME, USA
2005
Award, Foundation for Contemporary Arts, New York, NY, USA
2003
Full Fellowship, Vermont Studio Art Center, Johnson, VT, USA
2000
Bard College Project Grant 2000, Annandale-on-Hudson, NY, USA
Talks and Presentations
2016
Collectos Venue, Mexico Gallery Weekend, Ciudad de Mexico, Mexico
Lo Real Absoluto (Jorge Villacorta, Marlena Kudlicka, José Carlos Martinat & Andrés Marroquín), Galeria Revolver, Lima, Peru
7mo Encuentro Abierto, Bienal del Sur, (Alexander Apóstol, Iván Argote, Ana Gallardo, Jeanine Meerapfel, Diana Wechsler, Aníbal Jozami), Buenos Aires, Argentina
2015
Public Art “Metaforms”, Art Basel Miami Salon (Hank Willis Thomas Xavier Cha, Moderated by Nicholas Baume, Miami, FL, USA
Segundo Encuentro de Artes Visuales de la Pontificia Universidad Católica del Peru (Ishmael Randall Weeks, Jose Urteaga, Maxim Holland), Lima, Peru
2014
2013
2012
2011
2010
2009
2007
2006
Public Reading/Slide Talk, Vermont Studio Center, Johnson, VT, USA
Cuts, Burns, Punctures, Drawing Center, “Artists talk, with Ishmael Randall Weeks”, New York, New York, USA
MACRO Museo d’Arte Contemporanea, Rome, Italy
TRAIN Traveling lines Lines: Drawing as itinerant practice (Brigida Baltar, Tony Cruz, Andre Komatsu,
Mateo Lopez, Gilda Mantilla & Raimond Chaves, Nicolas Paris), Chelsea College of Art and Design, Chelsea, London, England
Sharpe-Walentas Studio Program, Brooklyn, NY, USA
Fondazione Cassa d Riparmio di Moderna, Roma, Italy
Diálogos sobre Arte Contemporáneo (Ishmael Randall Weeks y Luis Manuel Amador), Museo de Arte
Contemporáneo de Oaxaca y La Curtiduría, Centro Histórico Oaxaca, Mexico
La Culpable, Lima, Peru
Cambios Estructurales, MASM Museo de Arte de San Marcos, Lima, Peru
Selected Bibliography
Andrea Hinteregger de Mayo , “Matices del arte en America Latina /Nuances of Latin American art” 2020
“77 Artistas Peruanos Contemporáneos” Editor Museo Mario Testino - MATE, Lima, Peru, 2017
Ishmael Randall Weeks, “Cuts, Burns & Punctures”, Text by Rodrigo Quijano, Meier-Ramirez Independer Publications, 2016
Ishmael Randall Weeks, “USHNU / Para Todos, Para Nadie “, Hawapi 2014 Pariacaca. Editor Maxim Holland.
Iciar Sagarminaga, “En Obras” , Nuble Gallery, 2013
Filippo Maggia, “Fotografia Contemporanea da India e dal Sud America. Decimo Parallelo Nord”, Skira, Milano, 2012
Tanya Barson, Isobel Whitelegg, Pablo Leon de la Barra, Moacir Dos Anjos, “The Peripatetic School: Itinerant Drawing from Latin America”, Ridinghouse, London 2011, pp. 23 and 100-105
Sigismond deVajay & André Baldinger, “Of Bridges and Borders” , JRPRingier, Toit Du Monde & KBB, EBS, Editoriale Bortolazzi Stei, pg 253-67, 2011
Miguel López, “El Placer es más Importante que la Victoria”, Tasneem Gallery, exhibition catalogue, Barcelona 2011
Jota Castro, Christian Viveros-Faune, “Dublin Contemporary 2011 - Guide Book”, exhibition catalogue, Dublin 2011
“El Museo’s Bienal:The (S) Files 2011”, exhibition catalogue, New York 2011
Inheritance Projects, “Community Without Propinquity”, Milton Keynes, 2011
Cynthia Hahn, Amy Levin, “Objects of Devotion and Desire”, Hunter College Press, 2011, Pg 16, 66-67
Christopher Von Ginhoven, “AVailed Intimacy”, catalogue for“Bruma”at 20 Hoxton Square Gallery, London. 20 Hoxton Square and Revolver Gallery, 2011
Klaus Biesenbach, Connie Butler, Neville Wakefield, “Greater New York 2010”, MoMa PS1, 2010, pg. 112-13 & 162-63
Marisa Mujica Pinilla, “Perú Escultura de Ayer y Hoy”, Fondo Editorial USMP, 2010, pg. 303-313
Sigismond de Vajay, André Baldinger, “Of Bridges and Borders”, JRP-Ringier, Toit Du Monde & KBB, EBS, Editoriale Bortolazzi Stei srl, 2009, pp. 253-67
David McFadden, “Slash: Paper Under the Knife”, Museum of Ar ts and Design & 5 Continents Editions, 2009, pp. 184-87
Lauren Cornell, Massimiliano Gioni, Laura Hoptman, “Younger Than Jesus: Artist Directory”, The New Museum and Phaidon Press, 2009, p. 507
X Bienal de la Habana, “Integración y Resistencia en la era Global”, Centro de Arte Contemporaneo Wilfredo Lam, La Havana, Cuba, 2009, pp. 454-55
Armando Williams, “Visiones del Arte Contemporáneo en el Peru”, Galeria Lucia de la Puente, Lima, Peru, 2008
Miguel Zegarra - Jorge Villacorta, “La Construcción del Lugar Comun”, Museo De Arte Contemporaneo, Lima, Peru, 2008
IX Bienal Internacional de Cuenca, “Espacios, Tiempos Identitarios”, Bienal de Cuenca, Ecuador, 2007, pp. 64-67
Rodrigo Quijano, “Llámenme Ishmael: Notas sobre Balances y Tensiones en la Obra de Randall Weeks”, Catalogue for Estructuras, Simulacros, ICPNA, Lima, Peru, 2006
LuisAlvarado, “Post-Illusiones. NuevasVisiones, Arte Crítico en Lima (1980-2006)”, Fundación Wiese, 2006, p.113
Gloria Ziegler, “La Hora Del Arte”, Revista COSAS, April 2015
Klea Charitou, “South likes: Ishmael Randall Weeks at Arróniz, Mexico City”, South As A State Of Mind, May 2014
Elena Damiani, “This is Not Archaeology (Notes on the Peruvian Desert)”, Coleccíon Cisneros, May 2014
Selected Articles
Jan Castro, “Review: Annotations, Stuations and Souvenirs”, Sculpture Magazine Vol. 37, No 4, May 2018
William Corwinm, “Ishmael Randall Weeks: Annotations, Striations and Souvenirs”, The Brooklyn Rail, Nov 2017
Celina Chatruc, “Consagrada como arte, la fotografía muestra en BA Photo todas sus variantes” La Nación, Set 2017
Anahí Cazas “Kiosko muestra los frutos de su aporte al arte contemporáneo”, Página Siete, Set 2017
Max Hernández Calvo, “Desplazamientos: identidad e interculturalidad”, El Comercio, Jul 2017
Luis E. Lama, “Dialécticas”, Caretas Magazine, May 2017
Vania Dale, “Alegorías de un país cercano: Ishmael Randall Weeks inaugura ‘Tribuna’”, Cosas Magazine, April 2017
Gloria Ziegler, “Constructo Social”, Must Magazine, April 2017
Enrique Planas, “Así se montó la chacana de 15 toneladas que expone el MALI”, El Comercio, March 2017
Max Hernández Calvo, “Intervenciones de la realidad”, El Comercio, May 2016
Eugenia Lim, “Hawapi: Outside in the Anthropocene” Assemble Papers, Nov 2015
Andrés Hare, “Las Paradojas de La Vida en La Tierra” , Harper’s Bazaar Español, May 2015
Luís E. Lama, “Espacios Interiores”, Caretas Magazine, April 2015
Celina Chatruc, “Cruzar Las Fronteras”, La Nacion, Argentina, 10 July 2011
Luca Bradamante, “What’s going on in... Rome? A er MAXXI”, Art.es International Contemporary Art, Issue n. 41, 2011
Valentina Bernabei, “Ishmael Randall Weeks”, Flash Art Italia, December, 2010
Eloisa Saldari, “Da Federica Schiavo Le Transformazioni Orogenetiche di Randall Weeks”, ARTEeCRITICA 65, 2010
Clara Giannini, “Maquette for Landascape by Ishmael Randall Weeks”, Issues and Trends in Contemporary Art Rome, Thursday 25 November 2010
Marianna Agliottone, “Ishmael Randall Weeks. Dice di sé...”, Exibart on paper, n. 68, Sep-Oct 2010, p. 37
Davide del Giudice, “(R)EVOLUTIONary PROTOCOLS” Cityvision, May 2010
Pia Catton, “Greater Visions of Contemporary Art”, Wall Street Journal, May 20th, 2010
Christian Viveros-Fauné, “Greater New York 2010 is worse than the Biennial”, The Village Voice, June 2, 2010
Carlos Paul, “Artista Utiliza Arquitectura y Urbanismo para Reflejar Los Movimientos Sociales de AL”, La Jornada, Mexico, May 7th, 2010
Jane Harris, “Slash: Paper under the Knife”, Time Out, New York, USA January, 2010
Aridana Ramonetti, “Reinventar y alterar: Una mirada a la obra de Randall Weeks”, Glamour Magazine Mexico, December, 2009
Thomas Micchelli, “Ishmael Randall Weeks”, The Brooklyn Rail, May, 2009
JonathanTD Neil, “Next Greats”, Art Review Magazine, March, 2009
Adolfo Montejo Navas, “Entre la Integración y la Resistencia”, LAPIZ magazine, May, 2009, pp 67-76
Blanca González Rosas, “Trabajo de Espacio”, Revista Proceso, Mexico DF, 2009
BBC, “5 Propuestas de Arte Latinoamericano Que Destacan en Art Basel Miami”, BBC Mundo, December 2014
Stacey D.Clarkson, “Portfolio Ishmael RandallWeeks: Martyrdoms of light”, Harpers Magazine, April 2013
Alex Bacon, “In Conversation: Ishmael Randall Weeks with Alex Bacon”, Brooklyn Rail, February 2013
Blake Gopnik, “Ishmael Weeks Disturbs History”, The Daily Beast, Newsweek, January 2013
Andrea Baccin, “Quoin. Ishmael Randall Weeks”, Cura Magazine, Rome, January 2013
Artishock, “Ishmael Randall Weeks: Cuts, Burns, Punctures”, Artishock revista de arte, Santiago, Chile, February, 2013
Miguel A. Lopez, “Lima Remembers”, Art In America, September 2012, pp. 124-129
Maria Azzurra Rossi, “BHPRW”, City Vision #6, Jun 2012
Elisa Govi, “L’artista abita qui”, Exibart, n°78, April - May, 2012, pp.22-23
Francesca Giuliani, “Residenze d’artista”, La Repubblica-Roma, 10 April 2012
Geraldine Schwarz, “L’opera? Al Macro è un work in progress”, Artribune, 20 April 2012
Jan Garden Castro, “Peru’s Contemporary Sculptors: Cra ing New Social and Cultural Identities”, in “South American Sculpture”, Sculpture Magazine, Vol. 31, March 2012
Leigh Anne Miller, “A Continental Biennial”, Art in America Magazine, news & opinions, December 2011
“Pulp Fiction”, New Yorker Magazine, New York, February 4, 2009
Gerson Rivero, “Tres Residencias”, El Deber, Santa Cruz, Bolivia, August, 2008
Diego Otero, “Pero se Expone”, El Comercio, Lima, Peru, January, 2008
Diego Otero, “Espectáculos y amenazas”, El Domincal, Lima, Peru, January 2008
Jorge Manuel Noceda, “Cuenca, una bienal a orillas del tomebamba”, ART NEXUS Magazine, #67, 2007
Victoria Verlichak, “IX Cuenca Bienal”, ARTE AL DIA Magazine, pg.80, # 119, May-June, 2007
Élida Román, “Experiencia imprescindible”, El Comercio, Lima, Peru, January, 2006
Pedro Escribano, “IR y sus metáforas del mundo”, La Republica, Lima, Peru, 2006
ClaudiaVelasco, “Restos del Futuro”, El Comercio, Lima, Peru, January, 2006
Jack Martínez, “Dilema del Progreso”, La Primera, Lima, Peru, January, 2006
Jorge Bernuy, “Estructuras, simulacros”, Expreso, Lima, Peru, January, 2006
Caretas Magazine, “Rastros del Futuro”, Lima Peru, January, 2006
Casas, “Tensiones y Balances”, Revista Casas, Lima, Peru, January, 2006
Jamie Dalglish, “Mad Dream Chamber”, NYARTS magazine, New York, March, 2005
Caretas Magazine, “Canales de Weeks”, Lima, Peru, December, 2004
Vera Lauer, “Los Dibujos tóxicos”, La Republica, Lima, Peru, August, 2004
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